![]() ![]() A shot of her ascending the stairs has been removed (-00:05). After Crockett and Isabella return from the cafe, she gets a picture of her mother and brings it upstairs to show him. ![]() The line where she says that her mother died in Angola when Isabella was 16 has been removed (-00:06). Right after the above addition, during the scene in the cafe, the Director's Cut cuts from Crockett asking Isabella if she looks like her mother, to her saying she will show him a photo.Crockett asks her if she's still there, but Isabella says she died in Angola when Isabella was 16 (01:08). As they stand on the balcony, Isabella says this was the house she grew up in and mentions that her mother was a surgeon who moved to Angola. When Crockett and Isabella go to Havana, there is an additional scene the next morning.I'd die if anything happened to you on account of me. She says, "if your focus is on me, if your attention is distracted you will miss something coming at you. She points out that she's safe, can call 911, she has friends, etc whereas Crockett and Tubbs are operating off-grid. She then realizes that he's worried about her. Tubbs tells her to trust the layers of fabricated identities that she built and that everything is fine. She notes that the flowers mean they're saying, "we can reach out and touch you". Tubbs meets with Trudy as she points out it took the FBI testers a week to get access to Burnett and Cooper's criminal history and personal details, whilst it took Montoya's people only three hours. ![]() Immediately after the above, there is another additional scene in a diner.As Trudy realizes the flowers didn't come from Tubbs, she looks out the window and takes her service revolver out of its holster (01:54). The card reads, "Salutations from your friends in the South". He asks her what flowers she's talking about, and if there is a card with them. He tentatively asks her if she is okay, and she says she is, she's just bored. Immediately after the above, when Tubbs manages to get through to Trudy.After the meeting with Montoya, as Crockett watches Isabella driving away, there are several additional shots of Tubbs trying to contact Trudy Joplin ( Naomie Harris) before he can get a signal on his phone (00:14).The scene from the Theatrical Cut where Crockett, Tubbs, and Larry Zito ( Justin Theroux) go to a pier to await further instructions is absent, as is the following scene when they return to the hotel to find Isabella ( Gong Li) and her men in their room (-01:36). After Tubbs says, "that was fast", the Director's Cut cuts straight to them heading for the meet with Arcángel Montoya ( Luis Tosar). After Crockett and Tubbs have met with Yero for the first time, they go back to their hotel room and wait for a call.The film then cuts to the first courier carrying the drive (00:03). When the film first cuts to Ciudad Del Este, there is a shot of a USB drive being taken out of a computer.Immediately after the above, the shot of Rico in the shower is from a different and shorter take than that used in the Theatrical Cut (-00:05).After the vice team go to see Nicholas ( Eddie Marsan, there is a scene where he rings José Yero ( John Ortiz) to arrange a meet and to vouch for Burnett and Cooper (00:38).Crockett's line, "those are skill sets" has been removed (-00:03). Martin Castillo ( Barry Shabaka Henley) meet with Agent John Fujima ( Ciarán Hinds), they are discussing the FLIR images of the two go-fast boats speeding next to one another in pitch darkness. This sequence serves to contextualize the opening scene of the Theatrical Cut (03:56). ![]() Stan Switek ( Domenick Lombardozzi) makes arrangements with Neptune ( Isaach De Bankolé) to bring some girls to the club for the purposes of solicitation. After the race is over, Crockett and Tubbs watch as an undercover Det. This sequence also features opening credits, which are completely absent in any form in the Theatrical Cut. Rico Tubbs ( Jamie Foxx) in a go-fast race.
0 Comments
Leave a Reply. |
AuthorWrite something about yourself. No need to be fancy, just an overview. ArchivesCategories |